Showing posts with label book. Show all posts
Showing posts with label book. Show all posts

Thursday, December 25, 2025

What I’m reading in non-fiction… 2025

Not everything I read this year was about invented worlds. A significant portion of my reading life was spent with books that insist on the realness of reality: bodies, illnesses, narratives, institutions, uncertainties. These are not books I raced through, and to be honest a lot of them were article-adjacent. Still, these are the books that asked me for attention in some way, and each of them repaid my time spent. (Note: this is not my monastic reading list, which I keep separately. That reading was also rich and rewarding, but felt a bit too niche even for a cheerfully quirky blog. This is my curated should-appeal-to-all list. Message me if you want the professional version.)

John Green, Everything Is Tuberculosis

This is a book about tuberculosis, but it is also a book about inequality, attention, and the moral frameworks we use to decide what kinds of suffering matter. Green is very clear about his own positionality, and I especially like that he never pretends to be neutral. What makes the book effective is precisely that combination: careful research paired with an insistence that facts alone are not enough. I came away thinking less about TB as a disease of the past and more about how we decide which diseases – and sufferers thereof – we choose to discuss, and which we don’t.

Arthur Frank, Letting Stories Breathe and The Wounded Storyteller

Arthur Frank has long been central to thinking about illness narratives, and returning to these books (even if under deadline!) felt to me a bit like revisiting a conversation rather than encountering something new. The Wounded Storyteller, grounded in Frank’s own experiences of heart attack and cancer, remains a careful meditation on what it means to tell stories from illness rather than about it. Letting Stories Breathe extends his work, asking what ethical obligations listeners, scholars, and institutions have toward stories once they are told. I found myself dwelling when I needed to be skimming; his books are so engaging and thoughtful that they resist instrumental reading.

Herman Roodenburg, The Eloquence of the Body

Roodenburg’s study of gesture, particularly through figures such as Constantijn Huygens, treats bodily expression not as spontaneous overflow but as a learned and practiced habit. Roodenburg’s insight is that gesture is cultural knowledge and cultural capital: acquired, refined, and socially legible. I found this book especially useful as a reminder that bodies do not merely express meaning; they are trained to produce it. Also, this book quietly reshapes how one watches people speak. I was naughty and read chapters that weren’t directly applicable to the work I was doing. Shhhh, don’t tell my family.

Rumer Godden, In This House of Brede

This is a cheat, since it’s fiction, but I chose it here deliberately. To me, Godden’s novel about Dominican nuns captures the texture of monastic life in ways that most non-fiction accounts struggle to do. She brings to life the rhythms of prayer, frictions of communal living, and the mix of discipline and intimacy. All are rendered with an attentiveness that feels ethnographic, even though it remains clearly imagined. Sometimes fiction is simply better at conveying lived experience than analysis can be. And yes, I’ve blogged about it before: https://silencesandsounds.blogspot.com/2025/04/postulant-novice-professed-initiation.html

Hayley Campbell, All the Living and the Dead

Campbell writes about people whose work is death-adjacent: gravediggers, embalmers, executioners, forensic specialists. The book is notable for its restraint. Rather than sensationalizing these professions, she speaks to their ordinariness. It’s a job, even if it’s a job with a body involved. What emerges is not a meditation on death itself so much as on how societies distribute the labor of dealing with it, and how those who do that labor understand their roles.

Jamie Holmes, Nonsense

Holmes explores ambiguity and uncertainty, not as problems to be solved but as conditions that shape perception, decision-making, and belief. The book ranges from psychology to politics to everyday cognition but remains grounded in the idea that humans are deeply uncomfortable with not knowing, often to our detriment. I found it useful less for its individual examples than for the framework it offers: ambiguity doesn’t just confuse us, it actively changes how we see.

So pause, he argues, and look again. Holmes’s central recommendation is not the cultivation of better answers, but, importantly, of building better tolerances: for ambiguity, for incomplete information, for meanings that do not resolve on first encounter. Wherever uncertainty makes us anxious, he tells us, we tend to rush toward coherence – any coherence. We grasp at patterns, explanations, or stories that soothe us rather than clarify what we’re looking at. Holmes urges us to deliberately slow down that meaning-making reflex. Sit with the discomfort long enough to notice what your mind is doing. What shortcuts does your mind take? What assumptions does it accept? What narratives do we prefer for their stability rather than their coherence? As we pause, alternative interpretations have room to surface. What initially looked like nonsense may reveal itself as complexity, or at least as a problem improperly framed.

For Holmes, this is not a call to relativism or indecision, but to intellectual humility. He wants us to be willing to revise, to hold competing possibilities in mind, and to recognize that understanding often emerges not from closing down ambiguity, but from staying with it a little longer than feels comfortable.

Not a bad set of action items as we head into a New Year...

Sunday, December 21, 2025

What I’m reading… 2025

I had an incredible year in booklandia, reading nearly 200 books. Of course, 60 of those were read during my Asian sojourn, and many of those were of the “lighter reading” variety. I happily binged my way through several of the Horatio Alger series, for instance – 19th century views of American life that are unapologetically popcorn reading. If you’re curious, they’re freely available on Project Gutenberg (which is available to you even if you happen to be in China, by the way!): https://www.gutenberg.org/ebooks/author/168

But alongside the binges were books that built world, wonderful worlds. These books have stayed with me as rooms in my mental house. Even thinking back on them now floods me with bits and pieces of their stories and revitalizes the characters that inhabit them.

Hao Jingfang, Vagabonds

A group of young people had been sent from Mars to Earth as a special delegation. Can you ever come home from a strange place again? I picked up this novel partly because I was heading to China, and partly because the idea of being an outsider in one’s “own” place feels profoundly 21st-century. This book spoke to me, and I lingered over its intricate story.

Becky Chambers, The Long Way to a Small Angry Planet (and the rest of the Wayfarers series)

It’s hard for me to articulate just how much fun this series is. Multi-species crew on a tunnel ship with an AI character – no, not that kind of AI, think sort of “Ship’s Doctor” from Star Trek, or perhaps even Data – legitimately a character. Each character is flawed; each is trying; each wants to connect. And really, isn’t that what it means to live fully? Go ahead, buy the whole series. It’s joyful, generous, and deeply humane science fiction. Much fun!

  1. The Long Way to a Small, Angry Planet
  2. A Closed and Common Orbit
  3. Record of a Spaceborn Few
  4. The Galaxy, and the Ground Within

KJ Parker, Sixteen Ways to Defend a Walled City

Okay, I’m a sucker for the historically quasi-plausible and quasi-invented riproaringly good tale. Tom Holt’s Who’s Afraid of Beowulf was worth the re-read, as were the first 9 of the Lindsey Davis Roman mysteries with Flavia Albia (which were a significant part of my China reading), and the eight short novellas by Alex Zudor in his Agent Strabo mystery series.*

But for witty sarcasm and an engaging glimpse into Roman engineering, Sixteen Ways to Defend a Walled City was a gobble-me-up. (KJ Parker is actually a Tom Holt pseudonym; I’m not sure why he needed one, but, well, marketing is a mystery, eh?). In this tale of city siege, I loved not loving the main character! Orhan is grumpy, opinionated, loud-mouthed, rebellious, creative, crafty, and someone I wouldn’t want to *be* but I’d certainly like to *know.* We get the story from his perspective, snark and all. It’s fast-moving, and yet also full of very human moments. Read it!

Toshikazu Kawaguchi, Before the Coffee Gets Cold

I fell for these books thanks to my library app. Yes, and again yes. I read them in publication order but it doesn’t really matter. The premise remains the same: What if you could go back in time? But there are rules. Nothing you can do in the past will change the present. You can’t move from your seat. You can only visit people who have been to the cafe. And you must return before the coffee gets cold.

These lyrical invocations of human connections and missed connections revisited are heart-wrenching mini-worlds, each chapter a glimpse into a relationship that comes to life for the reader. It’s not that you won’t tear up; it’s that the tears have a purpose.

  1. Before the Coffee Gets Cold
  2. Tales From the Cafe
  3. Before Your Memory Fades
  4. Before We Forget Kindness
  5. Before We Say Goodbye

Of course, there were work books and drive-to-work books and read-on-the-train books and too-tired-for-TV books. And so, so many were amazing reads. But in terms of world that are now part of my world, these four stand apart.

Happy reading to you all!


*The Zudor collection

Special bonus, since they aren’t widely known: Alex A. Zudor, Vox Populi: An Agent Strabo Mystery Novella

These fit the theme of the unrepentant and unredeemable character, as we first meet Agent Strabo at a personal low: cashiered out of the Roman Army, and deciding if there’s any remaining reason to live. He gets hooked into an investigation, and the story takes off. These are great airplane reading – I read two on my flight to Nepal. They are short and have relatively simple plotlines, which is part of their appeal. They aren’t world-building in the way the other series are, but they are a yummy distraction, well-suited for the time waiting for the food cart to roll down the aisle.

  1. Vox Populi: An Agent Strabo Mystery Novella
  2. Si Tacuisses: An Agent Strabo Mystery Novella
  3. Mala Parta: An Agent Strabo Mystery Novella
  4. Quis Custodiet: An Agent Strabo Mystery Novella
  5. Non Omnia: An Agent Strabo Mystery Novella
  6. In Vino Veritas: An Agent Strabo Mystery Novella
  7. Acta Est Fabula: An Agent Strabo Mystery Novella
  8. Et Tu, Bruta?: An Agent Strabo Mystery Novella

...so many good books, so little time!...

Friday, December 5, 2025

A bookish saint from Brno

Time to explore another fine example of medieval art from the Moravian Gallery in Brno (Czech: Moravská galerie v Brně), this time a bookish saint.

The “Female Saint with Book” by an anonymous Moravian carver stems from around 1500. The wooden sculpture is tall and narrow, suitable for a niche or other tight space. She is crowned, and there appear to be jewels carved into that crown. There may be a veil over her hair, though its waist-length tresses seem to be otherwise unbound, for one strand has snuck over her shoulder and nestles against the crook of her arm. 

This youthful figure gazes out at us directly, her high forehead a sign of beauty, her straightforward gaze a signal of honesty, her rounded cheek a suggestion of affluence, her closed mouth with a hint of lift at the edge a gesture of inner repose.

Her robe boasts a modest scoop neck, and is cinched by a thin belt; yet below the waist, it flairs open in a dramatic upside-down V of imagined drapery to reveal her underkirtle. This is clearly secular garb, and may have had brocade with an elaborately textured surface, but with the insect damage we cannot tell for sure.

The right arm is lowered and has lost its hand – we have only the sleeve – but was bent at a 120-degree angle (pointing down but sort of aiming at the viewer).

The left hand is what interests me most. At that point where the outer garment flares, our figure holds a book. The position of that book is rather curious – she holds it sideways. The book’s back seems to be down; we see the top edge of the book, and if we were taller might see the front leaves as well. Moreover, the book is attached – perhaps by a bit of chain? –  to her belt since she neither needs to cradle the book nor press it hard against her side. The book floats, in other words, and she merely rests her hand lightly upon it. The book may be wrapped – is that a hint of gauzy fabric at the top? That would be characteristic of the day. It is clearly a beloved possession as well as an attribute of her sainthood.

And then, following our trajectory downward, we come to her feet, tucked in behind the folds of cloth. She stands on a rounded cushion or low dome rather than directly on the floor or rocks, as many other saints are depicted. In late-medieval sculpture, this kind of grounding signals nobility or spiritual elevation. It gives a lift to the figure – both to align her with our sight and to move her figuratively above the ordinary world – emphasizing her courtly bearing and inner refinement. Combined with her crown, her serene expression, and the cherished book in her hand, the cushion suggests that this is a saint whose sanctity is tied less to dramatic martyrdom or miracles and more to elevated learning, piety, and noble grace.

These details give us clues, but they also leave us guessing about her identity. Saints we might consider as candidates, given the statue's Moravian origins, include the intellectual Catherine of Alexandria, the tower-bound Barbara, or community-activist Elizabeth, all of whom were imagined in late-Gothic Central Europe as dignified, courtly women of faith.

Of course, the other saintly attributes for these women would be the “tell.” If this is Catherine, where is her wheel or sword? Neither seems to fit the dimensions of the space, so even if the hand had survived, the statue would be thrown out of kilter if such “regular attribute” were added. Barbara is perhaps more plausible; imagine the missing right hand holding a tower, and we could imagine her replete and identifiable. But for this statue to work, that tower would need to be curiously small; otherwise it would obscure her face. Though I suppose one that was shoulder height would work. If it were Elizabeth, we would expect some sign of her charity such as loaves, roses, or a small figure of the poor, but none appear here. The sculptor seems to have focused instead on the figure’s nobility and inner devotion, giving us a serene, book-holding figure rather than a tableau of her famous acts. In other words, we can read her sanctity through posture, gaze, crown, and that treasured book, but the overt symbols that would let us give her name are no more.

Wouldn’t it be nice if we knew more about who she is, or about who did the carving? Some artwork tells us stories, and indeed we could talk here about insect damage and the ravages of time, or about the wonderful luck of preservation. But artwork unmoored from its origins also poses questions that the attentive viewer might consider. Who was this lass, and what did she represent to the community that commissioned her, or to the artist who carved her? We cannot know, but we can appreciate the combination of artistry and effort that went into creating this beauty.


Other posts on Brno art

What I’m reading in non-fiction… 2025

Not everything I read this year was about invented worlds . A significant portion of my reading life was spent with books that insist on t...