- The Taylor Swifting of Chant Performance (10/24/25)
- Of Space Aliens and Their Tentacles (10/20/25)
- The Silent Office Hour (10/16/25)
- Smells and bells? Just bells! (10/13/25)
- From Draft to Done (10/8/25)
- The silence of the woods is full of noise (10/6/25)
- Musicological Paper Structures 102 (10/2/25)
- Musicological Paper Structures 101 (10/1/25)
- Listening in on the Nuns’ Rebellion at Kloster Goldenstein (9/27/25)
- Asian Sojourn 3: Living in Sacred Space – Kathmandu (9/26/25)
- Attention filtering – the voluntary earlid (9/21/25)
- The Perfect Time to Write (9/17/25)
- An indulgence prayer for Mary of Swords (9/15/25)
- The Verbal Vocative: Change-Ringing Patterns of Marian Address in Der Herr ist mit dir (9/7/25)
- When the Gestapo Came for the Sisters (9/6/25)
- Writing with Scissors and Tape (9/1/25)
- Asian Sojourn 2: Kathmandu: parade rest! (8/30/25)
- Using Research Questions -- Defeat data-hoarding and discard the chaff! (8/24/25)
- Asian Sojourn 1: The Hotel That Wasn't There (Delhi) (8/23/25)
- The Silences of Summer (6/29/25)
- The North Wall of Brand’s Parish Church: Challenges of Interpretation (6/8/25)
- The 1507 South Wall Frescoes of Brand’s Parish Church (Vorarlberg) (6/6/25)
- Kin, Cash, and Convent: Providing for Nieces (and Nephews) in 1613 Bludenz (5/15/25)
- Why Illustrate a Prayerbook? (5/6/25)
- From Sea Lions to Sight-Singing: What Sea Mammals Know About Music (5/2/25)
- A Handful of Sunrises (4/24/25)
- Musical Presence and Funeral Choices (4/20/25)
- COVID’s Musical Humor: The Toilet Paper Chronicles (4/16/25)
- Arriving from Wealth: Rosina von Ems (4/15/25)
- Managing Bibliography By Spreadsheet (4/5/25)
- Postulant, Novice, Professed: Initiation into Monastic Life (4/2/25)
- Dominican Prayer Gestures (3/29/25)
- How To Jump-Start a Scholarly Article: The Plan (3/22/25)
- Listening to the Birds (3/17/25)
- 50 Questions: Adulting As Faculty (3/12/25)
- Age and the Monastic Life at Thalbach in Bregenz (3/10/25)
- Satire, Sound, and Swine: The 2009 Flu Pandemic Goes (Musically) Viral (3/6/25)
- My Late Lamented “Everything Notebook” (3/3/25)
- The Seelengärtlein (Hortulus animae) 3/2/25
- Flu Music as Mockery: The Flying Fish Sailors and Pandemic Humor (2/26/25)
- Building for the Ear (from Chaco Canyon to Medieval Vorarlberg) (2/23/25)
- Mapping Soundscapes: Applying Stratoudakis and Papadimitriou’s Measures to Memory and Place (2/21/25)
- Sister Anna Wittweilerin Looks Up (2/19/25)
- Making magic with old texts – how one scholar uses Transkribus (2/16/25)
- Diligent Devotion: Maria Euphrosina Vöglin’s Leadership at Thalbach (2/14/25)
- Singing Tubercular songs with Fader Movitz (Fredman’s Epistles 1790) (Feb 11, 2025)
- Not a Village, a Community: Building Thalbach’s Church (1609) (1/29/25)
- Singing & Change on World Leprosy Day (1/26/25)
- When a 6-year-old brought a Marian Icon to Thalbach (1/22/25)
- Margery Kempe Listens (1/19/25)
- News-as-Opera: Shenton/Steyer’s On Call: COVID-19 (2021) (1/17/25)
- Documenting Lepers’ Lives: The House is Black (1962) (1/11/25)
- To Banish the Earworm: "If We Were Married" by Shaina Taub (1/8/25)
- 2024 Silences and Sounds (12/31/24)
- Writing is momentum (12/28/24)
- “Aged documents” in the Thalbach Monastery Chronicle (12/16/24)
- Starting from a place of blah (12/11/24)
- “Bulgy enlargement” and medieval hearing loss: Insights from Flohr and Kierdorf (2022)
- Smooth or Spiky? November’s Sound Samples (12/2/24)
- There is no quiet, no silence anywhere within! (11/28/24)
- 19th Century poetic earlids and the Ovid rumor-mill (11/26/24)
Earlids of the early 1900s (11/21/2024)
Soundscape compositions, Chicago style (11/16/24)
I am (not) a crocodile: Earlids and the thinking person (11/15/24)
Manipulations of reality’s sounds: Drever on Soundscape Composition (11/6/24)
It’s not time travel: sound modeling of 1622 St Paul’s (10/31/24)
Scoring for Calm or for Excitement? Smalley et al. (2023) on choices of sound in digital nature experiences (10/25/24)
The Silence of Not-Writing – and What To Do About It (10/20/24)
Political Scientist Sean Gray’s typology of political silences (10/13/24)
Some Further Silences of Christina Rossetti (10/12/24)
Summer’s Soundscape Research--by the Numbers (10/6/24)
Christina Rossetti and the contemplation of silence (10/5/24)
Why Silence (10/4/24)
Why Sound? (9/30/24)
Introduction (9/29/24)
Archive with Post Titles
Subscribe to:
Comments (Atom)
The Taylor Swifting of Chant Performance
If we believe that Hildegard von Bingen’s chant is monophonic, why introduce a drone? Why add orchestration, those evocative instrumental...
-
An image of Chaco Canyon ruins from 2012 Note: The current blog post is in dialog with Primeau and Witt (2018), and draws on my own wander...
-
Image from 1919 of three men in hospital beds, two with a head bandages Music is a multi-purpose tool, and I appreciate its role in public...
-
So many questions... Have you checked your spam folder? What about your institutional spam folder? What about the invisible-to-you ...

No comments:
Post a Comment