Sunday, October 6, 2024

Summer’s Soundscape Research--by the Numbers (10/6/24)

Sampling of frescoes, St Nikolaus, Ludesch, Vorarlberg, Austria

My summer’s research was focused on Thalbach, a women’s convent of “devoted sisters” founded in 1336 in Bregenz, Vorarlberg, Austria. I was working on the women’s soundscapes, for the sisters were involved in town ceremonies and had lively -- and acoustically active lives inside their convent as well. I was in Austria, mostly, though with side trips to a number of countries. 

Research included frescoes and artworks, along with the standard array of manuscripts and incunabula (early prints), documents (so many documents) and a certain amount of standing around in cemeteries waiting for bells to ring. No, really. 

I drafted up my “account” of “summer successes” as a bit of a joke (yay, count all the things!) and then, unjokingly, fell silent as I went through a month (ugh!) of viral bronchitis. 

Here, rather belatedly, is my assessment of a summer of delightful research on soundscapes in Vorarlberg, Austria. 

1.1 million steps. That’s actually only an average of 7.3 miles a day. But it's still a lot.

16,677 photos. Mostly of documents, manuscripts, and books, but also some absolutely stunning scenery. Best hike: the Rappenlochschlucht outside of Dornbirn, Vorarlberg– a moss-bedecked gorge hike, noted for its wooden walkways hooked into the canyon sides. Waterfalls, a natural bridge, forest, and serenity: it was a great way to start a day! 

The Rappenlochschlucht, Dornbirn, Austria--zigging and zagging back through the gorge...

125 “Akten” – archival folders – across 21 boxes. Kind of like going through your great-aunt’s attic; the box may be labeled but you’re never quite sure what you’re going to find. Best find of the summer: a book-list from a local farmer who paid his taxes with books rather than with cash. The sisters were so happy with his books that they waived the third round of taxes that year! 

108 manuscripts and early prints.This was the core of my research. These materials are undigitized, and a number of the books had readers’ marks so you could see what the nuns had found interesting. My favorites were of two types. In one, books were bound by recycling old unwanted manuscripts – this means I could see physical evidence of 14th and 15th century liturgical practices in Thalbach, exactly what I had hoped to find! And the other type were the ones with illustrations; I admit that opening a book and discovering it had pictures – some of them colored! -- was one of the great joys of the trip.

Museum Exhibitions I have loved, Summer 2024 version

25 museums in 6 countries. Altarpieces, artwork, and three fantastic special exhibits. “Wir, Schwestern” (We, sisters) was on nuns and the book arts, and another was on the scriptorium at Reichenau, and a third was on Hans Holbein the Elder, Hans Burgkmair, and Albrecht Dürer. 12 abbeys and monasteries In addition to Thalbach itself, this included the Swiss monasteries of Grimmenstein and Wonnenstein, both of which were interconnected with the Bregenz monasteries in reform practices. 

8 churches with 15th c. frescoes. This was the special treat of my trip. These churches had full or partial programs of illustrations with sacred content – saints; judgment day; the life of Jesus; the life of Mary; and various builders’ marks and early modern graffiti. There were a number of visual parallels to illustrations in the Sisters’ books. And there’s nothing like standing in a church listening to the church bells and looking at the visual reminders of religious practices of the past to make the content of one’s research come to life. 

Random and planned events. And yes, I accidentally attended the inauguration ceremonies in Bratislava, Slovenia; talked church politics with a nonagenarian Swiss school-teacher outside the Bischofszell city hall; shared travel advice with a Czech pilgrim who is walking the long version of the Camino de Santiago; and had breakfast with Blair alumni in Vienna. Plus, there were the innumerable coffees and conversations with librarians and archivists, historians, curators, musicologists, composers, performers, and friends. 

TL/DR: Summer research success for me boils down to the “four P’s”: paper, parchment, pictures, and people.

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